In the late 1950s and early 1960s, Davis recorded a series of albums with Gil Evans, often playing flugelhorn as well as trumpet. The first, Miles Ahead (1957), showcased his playing with a jazz big band and a horn section beautifully arranged by Evans. Songs included Dave Brubeck's "The Duke," as well as Léo Delibes' "The Maids Of Cadiz," the first piece of European classical music Davis had recorded. Another distinctive feature of the album were the orchestral passages that Evans had devised as transitions among the different tracks, that were then joined together with the innovative use of editing in the post-production phase, turning each side of the album into a seamless piece of music.
In 1958, Davis and Evans were back in the studio for the recording of Porgy and Bess, an arrangement of pieces from George Gershwin's opera of the same name. The orchestra lineup included three members of the sextet: Paul Chambers, Philly Joe Jones, and Julian "Cannonball" Adderley. Davis named the album one of his own favorites.
Sketches of Spain (1959–1960) featured songs by contemporary Spanish composer Joaquin Rodrigo and also Manuel de Falla, as well as Gil Evans originals with a Spanish theme. Miles Davis at Carnegie Hall (1961) includes Rodrigo's Concierto de Aranjuez, along with other songs recorded at a concert with an orchestra under Evans' direction.
Sessions in 1962 resulted in the album Quiet Nights, a short collection of bossa nova songs that was released against the wishes of both artists. That was the last time that the two created a full album again. In his autobiography, Davis noted that ". . . my best friend is Gil Evans".
Wow, this is a pretty amazing blog... I'm quite fascinated by the rehearsal sequences - and these are very high quality audio - very nice of you to put them up here?
Jean Luc Ponty Paris Nov 75 flac16
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Jean Luc Ponty- violin
Daryl Steurmer- guitar
Mark Wolf- keyboards
Tom Fowler- bass
Norm Fearrington- drums
Paris, France
November 1975 (exact date unkno...
Scandal Ska - Various Artists (1990)
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01. Scandal - Don Drummond
02. Judge Not - Robert Marley
03. Honour Your Mother & Father - Desmond Dekker
04. Miss Jamaica - Jimmy Cliff
05. Love Me Baby -...
GONG : FAMILY JEWELS (1987-1998)
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Compilation of Gong and related artists including unreleased material
Disk 1 - Thinky Disc
1. Pip PYLE: Seven Year Itch [1998]
2. Pierre MOERLEN'S GONG: ...
Riot - Welcome To The World Of Riot (1974)
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01 Welcome To The World
02 Just Beyond
03 Mother Nature
04 Put Your Gun Down Brother
05 I'm Happy Just To Be Livin'
06 A Song Of Long Ago
07 God Bless Conc...
Firesign Theatre - Dear Friends (1972)
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This set is a distillation of the Firesign Theater's 21 hour-long weekly
radio programs conceived and produced live on the air at KPFK in Los
Angeles bet...
"Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art." - CHARLIE PARKER
4 comments:
Recordings with Gil Evans
In the late 1950s and early 1960s, Davis recorded a series of albums with Gil Evans, often playing flugelhorn as well as trumpet. The first, Miles Ahead (1957), showcased his playing with a jazz big band and a horn section beautifully arranged by Evans. Songs included Dave Brubeck's "The Duke," as well as Léo Delibes' "The Maids Of Cadiz," the first piece of European classical music Davis had recorded. Another distinctive feature of the album were the orchestral passages that Evans had devised as transitions among the different tracks, that were then joined together with the innovative use of editing in the post-production phase, turning each side of the album into a seamless piece of music.
In 1958, Davis and Evans were back in the studio for the recording of Porgy and Bess, an arrangement of pieces from George Gershwin's opera of the same name. The orchestra lineup included three members of the sextet: Paul Chambers, Philly Joe Jones, and Julian "Cannonball" Adderley. Davis named the album one of his own favorites.
Sketches of Spain (1959–1960) featured songs by contemporary Spanish composer Joaquin Rodrigo and also Manuel de Falla, as well as Gil Evans originals with a Spanish theme. Miles Davis at Carnegie Hall (1961) includes Rodrigo's Concierto de Aranjuez, along with other songs recorded at a concert with an orchestra under Evans' direction.
Sessions in 1962 resulted in the album Quiet Nights, a short collection of bossa nova songs that was released against the wishes of both artists. That was the last time that the two created a full album again. In his autobiography, Davis noted that ". . . my best friend is Gil Evans".
http://rapidshare.com/files/252111090/_with_Gil_Evans__1957-1968_d1-d2.rar http://rapidshare.com/files/252120288/_with_Gil_Evans__1957-1968_d3-d4.rar http://rapidshare.com/files/252124351/5of6_The_Making_Of_Miles_Ahead.rar http://rapidshare.com/files/252133585/6of6_Alternate___Rehearsals.rar
Wow, this is a pretty amazing blog... I'm quite fascinated by the rehearsal sequences - and these are very high quality audio - very nice of you to put them up here?
Nice post. Too bad links are dead and not avaiable. Need an update.
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